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Oct
15

SLTM (the Podcast) 2.0 Episode Two

MUSIC REVIEWS Astridir Lifsins-facebook.com/arstidirlifsins- ALDAFOOR OK MUNKA DROTTINN- VAN RECORDS– black metal is the last theatrical bastion in music. There’s chanting, then some demonic growls. Guy talk sings in another language. (not english I mean). Which sounds so much better than if it was in English, gives it more weight and makes it more creepy when you are not sure what is being said. I do like the chorus of demented clanking monks who handle some of the vocals. Nice touch. Steelhook Protheses – CALM MORBIDITY- “”- Malignant Records – something is always buzzing. Maybe it’s the bees in my head and not the music. First two songs feature the sounds of a heavy industrial manufacturing plant. It’s running 24/7 in the barren country side. Way away from civilization. Third song? Wait here comes the plant manager over the PA. Do you remember that scene in Strange Brew where they feed the inmates tainted beer and they play hockey against each other? This song has that vibe, not only the music played but the expected violence during the game. Only difference is that the plant manager is trying to pass along the new rules of the game from management while everyone just beats the hell out of the other person. WOE – HOPE ATTRITION – vendettarecords.bigcartel.com – “no blood has honor” – I think what I like about WOE and always have, is the driving beat. The chuck wagon has broken loose from the train and it’s hurtling down the path toward a cliff. But, man is it rocking and swinging. Even the fourth song “Din of the mourning”has some swing in the drums. It starts out as standard thrash metal and then here comes the chuck wagon again, busting loose and heading for a clump of trees. Goddamn Cookie, when is he going to learn to tie down that wagon? The rest of the disc is standard thrash metal with the occassional above average guitar solos. The Black Scorpio Underground- Necrochasm- theblackscorpiounderground.bandcamp.com – Husk Records and Prison Tatt Records – “Hall of 1000 degredations” – I always have a hard time getting into this industrialized metallic aliens eating themselves aural kaliedoscope pattern riffage. It escapes me why I should tolerate a mind throddling repetitive beat down all in the name of repetitive regeneration. Is this what the future will sound like? When you leave the underground for the surface Metro 2033 style, you will get this constant hum...
Oct
2

SLTM (the Podcast) 2.0 Episode 1

It’s a new podcast, well not that new. We still play a little music, do comedy and report music news, so basically it’s the same show but compacted. We hope you like it, if not who cares? I mean really, who the fuck are we trying to impress this late in the game? This Will Destroy you– “Quiet” -Young Mountain (10th Anniversary Edition) –This Will Destroy You Tumblr – Hate to use the first track on an album, but its a really good one. Instrumental. Interesting, lonely, desperate on a cold night. The car has stopped, won’t turn over , man gets out of car starts walking looking for help. The car grows colder, inside is his lover dead, cold, alone and frozen. Man dies lost in the woods, he is never found. First two songs are good, kind of forelorn, so far this is a pretty good instrumental album, best one I’ve heard in a while. Maybe I like this better because it seems to have a through line. Whereas other instrumental albums tend to be wandering messy projects. Most instrumental albums I get bored with after a few tracks. Not this, and oh, it is hard to sustain Melancholy Nathaniel Shannon and the Vanishing Twin– Trespasses- Full Length Debut- Aqualamb– “lost hills” – starts off like a lost track from a forgotten Morphine album. What’s with the wiper blade scratching at the end of song #1? 15 songs might be pushing it for this release. Sounds like Tom Waits on a batch of acid. It could have been more distorted with a Seven or Resident Evil vibe. “Debutantes”, why are people perceptions of serial killers minds always a cacaphonious dark nightmare when some serial killers clearly prefer the singularity of the singer songwriter path? It all seems a little trite to me. The subject of this is gonna try to be god, but guess what? He’s killing again. Nice dance beat to “Objection Projection”. Five songs in and I feel like I’ve heard this prepacked idea of the lonely, tormented distorted loner. Ruin – Song #1 “Baby Doll” , Song #2 “you” – (1984’s HE HO and 1986’s FIAT LUX) reissues on SoutherLord Records – I wanted to play “Baby Doll” not only cause I like it but because the faux cry/screams made me laugh out loud. First song, first impression Fear meets SPBT. This has to be a reissue (it is), sounds like early 80’s So...

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